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PUNK ISNT DEAD
i really don't know if u know this but punk isn't dead cuz well first off i have to say that i found that someone says that are cuz they said
I hate to be the bearer of bad tidings, but, for christ's sake, don't you understand that it's not 1975 anymore. I was there when all the bands from CB's got signed. Ramones, Talking Heads, Blondie, Television, The Shirts, Tuff Darts, et.al. Look, anyone who's looking to form a punk band, just give it up and learn how to PLAY ACTUAL MUSIC. Stop living off the bones of the past. If you can't come up with something NEW then just retire, will ya! No one who has any sense anymore wants to hear bad musicians play badly written music badly. And "the scene" [?]. What scene? There is no scene. And there hasn't been one since the early eighties. Hardcore has moved overseas. And New York City is SUFFERING because no one will take the initiative and start something NEW. And don't tell me about the Williamsburg[ers]. Whiny little snot-nosed noise makers aren't what you or I would call a "scene"! Unless you'd like to call it OBscene. I know this sounds like a bitter rant [and I suppose it is, in a way} but, please folks, GET WITH THE PROGRAM ALREADY!!! This is suppose to be the town where it HAPPENS. Not where it HAPPENED years ago. I know I'm older than most of you. Some have called me the grandfather of grunge. But I can still ROCK most of you, who are half my age, UNDER THE F****** TABLE. So, c'mon, rockers [if there are any left], P R O V E M E W R O N G. Thank you very much and have a nice day.
but i say punk isn't dead cuz if we were they're wouldn't be any rock, metal, music anymore the world world would be a hating peace and they still live cuz if punk died then maybe goth might die, then emo's, preps and jocks and all the other ones there(idk about geeks or nerds tough they're hard)
and if punk was dead, they would stop making the clothes of for them the pants, shirts, and music.
Punk rock
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Punk rock
Stylistic origins: Rock and roll - Rockabilly - Garage rock - Frat rock - Psychedelic rock - Pub rock - Glam rock - Protopunk
Cultural origins: mid-1970s United States, United Kingdom, and Australia
Typical instruments: Vocals - Guitar - Bass - Drums - occasional use of other instruments
Mainstream popularity: Topped charts in UK during late 1970s. International commercial success for pop punk and ska punk, mid-1990s–2000s.
Derivative forms: New Wave - Post-punk - Alternative rock - Emo
Subgenres
Anarcho-punk - Art punk - Garage punk - Glam punk - Hardcore - Horror punk - Oi! - Riot Grrrl - Skate punk - Christian punk - Nazi punk
Fusion genres
Anti-folk - Celtic punk - Chicano punk - Cowpunk - Deathcountry - Deathrock - Folk punk - Pop punk - Psychobilly - Punkabilly - Punk blues - Ska punk - 2 Tone
Regional scenes
Argentina - Australia - Brazil - California - Germany - Uruguay - Yugoslavia
Other topics
DIY ethic - First wave punk - Queercore - Punk fashion - Punk forerunners - Punk ideologies - Punk movies - Punk fanzines - Punk subculture - Punk timeline - Second wave punk
Punk rock is an anti-establishment rock music genre and movement that emerged in the mid-1970's. Preceded by a variety of protopunk music of the 1960s and early 1970s, punk rock developed between 1974 and 1977 in the United States and the United Kingdom, where groups such as the Ramones, Sex Pistols, and The Clash were recognized as the vanguard of a new musical movement.
Punk bands, eschewing the perceived excesses of mainstream 1970s rock, created short, fast, hard music, with stripped-down instrumentation and often political or nihilistic lyrics. The associated punk subculture expresses youthful rebellion, distinctive clothing styles, a variety of anti-authoritarian ideologies, and a DIY (do it yourself) attitude.
Punk rock became a major phenomenon in the United Kingdom during the late 1970s; its popularity elsewhere was more limited. During the 1980s, forms of punk rock emerged in small scenes around the world, often rejecting commercial success and association with mainstream culture. By the turn of the century, punk rock's legacy had led to development of the alternative rock movement, and new punk bands popularized the genre decades after its first heyday.
Contents [hide]
1 Characteristics
2 Pre-history
2.1 Protopunk
2.2 Origin of the term punk
3 Early history
3.1 New York
3.2 The UK and Australia
3.3 The second wave
4 Punk diversifies
4.1 New Wave
4.2 Post-punk
4.3 Hardcore
4.4 Oi!
4.5 Anarcho-punk
4.6 Pop punk
4.7 Other fusions and directions
5 Legacy and recent developments
5.1 Alternative rock
5.2 Queercore and riot grrrl
5.3 Emo
5.4 The punk revival
6 See also
7 Footnotes
8 Bibliography
9 External links
[edit] Characteristics
Cover of the Ramones' critically acclaimed debut albumThe first wave of punk aimed to be aggressively modern, distancing itself from the bombast and sentimentality of early 1970s rock.[1] According to Ramones drummer Tommy Ramone, "In its initial form, a lot of [1960s] stuff was innovative and exciting. Unfortunately, what happens is that people who could not hold a candle to the likes of Hendrix started noodling away. Soon you had endless solos that went nowhere. By 1973, I knew that what was needed was some pure, stripped down, no bullshit rock 'n' roll".[2] Sex Pistols manager Malcolm McLaren recalls feeling "punk rock had to come along because the rock scene had become so tame that [acts] like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans, rock and roll meant this wild and rebellious music".[3] In critic Robert Christgau's description, "It was also a subculture that scornfully rejected the political idealism and Californian flower-power silliness of hippie myth".[4] Patti Smith, in contrast, suggests in the documentary 25 Years of Punk that the hippies and the punks were linked by a common anti-establishment mentality. In any event, some of punk's leading figures made a show of rejecting not only mainstream rock and the broader culture it was associated with, but their own most celebrated predecessors: "No Elvis, Beatles or Rolling Stones in 1977", declared The Clash.[5] That year, when punk broke nationwide in Great Britain, was to be both a musical and a cultural "Year Zero".[6] Even as nostalgia was discarded, many in the scene adopted a nihilistic attitude summed up by the Sex Pistols slogan "No Future".[7]
Punk bands often emulate the bare musical structures and arrangements of 1960s garage rock.[8] This emphasis on accessibility exemplifies punk's DIY aesthetic and contrasts with what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands of the early and mid-1970s.[9] A 1976 issue of the English punk fanzine Sideburns featured an illustration of three chords, captioned "This is a chord, this is another, this is a third. Now form a band".[10]
UK punks, circa 1986Typical punk instrumentation includes one or two electric guitars, an electric bass, and a drum kit, along with vocals. In the early days of punk rock, musical virtuosity was often looked on with suspicion. According to Punk magazine founder John Holmstrom, punk was "rock and roll by people who didn't have very much skills as musicians but still felt the need to express themselves through music".[11]
Punk vocals sometimes sound nasal, and are often shouted instead of sung in a conventional sense. Complicated guitar solos are considered self-indulgent and unnecessary, although basic guitar breaks are common.[12] Guitar parts tend to include highly distorted power chords, although some punk bands have taken a surf rock approach with a lighter, twangier guitar tone. A wild, "gonzo" attack is sometimes employed, a style that stretches from Robert Quine, lead guitarist of seminal punk band The Voidoids, back through The Velvet Underground to the 1950s recordings of Ike Turner.[13] Bass guitar lines are often basic and used to carry the song's melody, although some punk bass players such as Mike Watt put greater emphasis on more technical bass lines. Bassists often use a plectrum rather than fingerpicking due to the rapid succession of notes, which makes fingerpicking impractical. Drums typically sound heavy and dry, and often have a minimal set-up. Production is minimalistic, with tracks sometimes laid down on home tape recorders.
Punk songs are normally between two and two and a half minutes long, though many last for less than a minute. Most early punk songs retained a traditional rock 'n' roll verse-chorus form and 4/4 time signature. However, second wave punk bands—including bands from both the post-punk and hardcore punk subgenres—often sought to break from that format. In hardcore, the drumming is considerably faster, with lyrics often half shouted over aggressive guitars.[14] In critic Steven Blush's description, "The Sex Pistols were still rock'n'roll...like the craziest version of Chuck Berry. Hardcore was a radical departure from that. It wasn't verse-chorus rock. It dispelled any notion of what songwriting is supposed to be. It's its own form".[15]
Punk lyrics are typically frank and confrontational, and often comment on social and political issues.[16] Trend-setting songs such as The Clash's "Career Opportunities" and Chelsea's "Right to Work" deal with unemployment, boredom, and other grim realities of urban life. The Sex Pistols songs "God Save the Queen" and "Anarchy in the U.K." openly disparaged the British political system. There is also a strain of anti-romantic depictions of relationships and sex, exemplified by the The Voidoids' "Love Comes in Spurts". According to Search and Destroy founder V. Vale, "Punk was a total cultural revolt. It was a hardcore confrontation with the black side of history and culture, right-wing imagery, sexual taboos, a delving into it that had never been done before by any generation in such a thorough way."[17]
With Patti Smith as the groundbreaker, Siouxsie Sioux, The Slits, Pauline Murray, Nina Hagen, Gaye Advert, Poly Styrene, and other punk vocalists, songwriters, and instrumentalists introduced a new brand of femininity to rock music: "They adopted a tough, unladylike pose that borrowed more from the macho swagger of sixties garage bands than from the calculated bad-girl image of bands like The Runaways. They went beyond the leather outfits to the bondage gear of Sioux and the straight-from-the-gutter androgyny of Smith. They articulated a female rage that surpassed the anger of the women's movement of the sixties".[18]
The classic punk look among male musicians harkens back to the T-shirt, motorcycle jacket, and jeans ensemble favored by American greasers of the 1950s associated with the rockabilly scene and British rockers of the 1960s. In the 1980s, tattoos and piercings became increasingly common among punk musicians and their fans.
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 Tukuya_Datenshi · Tue May 01, 2007 @ 01:59am · 0 Comments |
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